Manifest Studio Shoot – Setup and Lighting
- At November 06, 2008
- By Neil Creek
- In Tutorial
9
A few weeks ago, I was at the Melbourne Anime Festival (Manifest) photographing in an on-site studio in a professional capacity. This was the first time I had ever covered an event in this way, and it was a first for Manifest as well, having an officially endorsed photographer shooting for the attendees.
I thought that it might be useful for readers of the blog for me to describe my experience at Manifest, how it worked and what I learned.
First some photos and a description of the setup.
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The gear used in the setup is listed below, including what I paid for it all, in case you’re interested to know what it would cost you to build a similar setup.
- 3x Vivitar 285HV ($90usd ea)
- 1x Canon 580EX (could be substituted by another Viv) ($400usd)
- Large white drop sheet and stand ($100usd)
- 2x diffuser umbrellas (either kind would work) ($30usd ea)
- 4x stands ($30usd ea)
- 1x transmitter and 4x receivers – Cactus radio flash triggers (total about $100usd)
Shipping for all that to Australia would be about another $150usd, so the total price (if you used 4x Vivitars) is about $890usd or so. I’m not even gonna bother converting to AUD cos the dollar is so volatile at the moment.
Here’s a lighting diagram for the setup I used on Saturday. I had the Canon 580EX and a Vivitar 285HV on stands with umbrellas at 45 degrees to the model, left and right. I had a Vivitar on a high stand back left as a kicker (highlight on the hair and side of the face), and with another Vivitar behind the white cotton background to illuminate it.
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And a slightly modified setup I used on the Sunday. I hated how visible the background was in photos from Saturday, so I sacrificed the kicker and put two Vivitars directly on the backdrop, which did a much better job of giving an even white background. Next time I’ll try to get a 5th flash to put back in as a kicker.
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These setup basically flooded the area with light, nice and soft. There wasn’t a big difference between the key and fill lights. I was shooting at about 1/4 power max on mostly AAs, and I went all day, only needing to change batteries on one flash. The recycle time on this was about one second, so it was nice fast shooting.
Here’s an example of a typical photo on Saturday and Sunday.
The Manifest 2008 galleries, can be seen in total here: http://neil.creek.name/gallery/v/manifest.
Here’s some photos of me at work taken by my friend Colin, who was my sales assistant on the day.
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In a later post I’ll talk more about the business side of the shoot, and how we went about booking the shoots, what we charged, and how we promoted the studio.

Reading optics diagrams
- At March 18, 2008
- By Neil Creek
- In Tutorial
4
This post is an extra resource for the Photography 101 series I am writing for the Digital Phototgraphy School blog.
Explaining some of the concepts of optics and physics covered in the lessons with words alone, would make understanding very difficult. To help visualise optics and light, simple diagrams can be used that show the optical components, and path of light through them. I have a confession to make: I haven’t drawn these diagrams formally since my high school physics classes, so I’m probably not following the standard convention, but hopefully they’ll help nonetheless.
Diagram components:
- Lens: a pale blue spindle shape of varying thicknesses.
- Tree: a generic object used as an example subject.
- Lines: generally these represent the path of the light. They will have arrow heads on them if the direction is not obvious. If it is important to distinguish different lines, I’ll show them in different colours, this is for illustration purposes only.
- Dashed line: this line is drawn vertically through the focal point and shows the image plane – the surface where the image is focused, whether it is a screen or film or the sensor chip. This is helpful for drawing diagrams, but is often omitted from the final diagram, especially when the subject’s symbol is used to represent the projected image.
- Labels: whenever a new element is used, it will be labelled. Some concepts will be described in the diagrams with labels.
- Direction: unless otherwise indicated, the path of light is from the left to the right.
Here’s a typical diagram with some of these features labeled:

Here’s one helpful point to keep in mind when trying to work out where to draw an image as focused by a lens. If you know the focal length of the lens, draw the lens and the subject (for example our tree symbol). Draw a dashed line vertically through the focal point to represent the image plane. Now take a ruler and draw a straight line from the top of the tree (or any other point), through the centre of the lens, to the image plane. We can do this because we know that any light that passes through the center of the lens does not get bent from its path.
Now that we know where light from that part of the tree is focused on the image plane, we can draw as many additional lines as we need to illustrate our point. For example, draw a line from the top of the tree to the top of the lens, then from that point to where the first line intersects the image plane. The same can be done for the bottom, or any other part of the lens. We can do this because we know that all light will be focused at the same point.
Keeping it up to date
As the lessons progress, I may need to update this reference for a variety of reasons: to correct any errors, to expand further on future digrams used in the lessons or to provide further information or resources on optics diagrams. I will endeavour to make this reference as accurate as possible, but cannot guarantee that it will be. If you have any corrections or suggestions for improvements, please leave a comment below. If you would like to link to this reference from your own web page or blog, please feel free to do so. You may also be interested to read the lessons to which this resource refers, you can find links to them in the first paragraph of this page.
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