Portrait Photography Short Course Announced!
- At June 03, 2009
- By Neil Creek
- In Tutorial
10
I am thrilled to announce that in late July, for the first time, I will be running a short course on portrait photography. The four week course will be held in Southeast Melbourne from July 20, and will have a maximum of ten places. You can book a place in this course now by phoning 03 9885 7952 (Mon-Fri, 9am-4pm) or emailing enquiries@ashburtoncc.org.au. The course will be run on Monday 7:30-9:30pm or Saturday 2:00-4:00pm depending on demand.
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Here are the details so far. This is my first draft of the course plan, and any or all of these details may change prior to the commencement of the course, however they are a good idea of what you should expect. The price has been finalised.
Creative Portrait Photography
Tutor: Neil CreekLearn how to take creative photos of family and friends using flash and natural lighting.
Cost: $130AUD
Location: Ashburton Community Centre, Melbourne, Australia
Date: TBA – After 20th July
Days: Monday 7:30-9:30pm or Saturday 2:00-4:00pm depending on demand
Classes: 4 x 2 hour sessions including one location shoot with modelRequirements: Participants must bring a digital camera with a flash hotshoe* and full manual controls and have basic photographic knowledge. Maximum 10 students (minimum 6)
* Sony Alpha users will be unable to use their camera in the flash exercises with the provided lighting gear due to the proprietary flash mount.
- Session 1 – Introduction to Portrait Photography, lighting, basic camera operation and functions of shutter speed and aperture, studying example portrait photos
- Session 2 – Importance of light in creative photography, types of light, light quality and direction. Familiarization with electronic flash and in-class interactive demonstrations with lighting gear provided
- Session 3 – Viewpoint, angle and pose, adding impact to your images with creative composition & viewpoint with in-class interactive demonstrations with lighting gear provided
- Session 4 – Go on location to experience photographing a model in natural light, and using flash to supplement natural light. This will be a Saturday or Sunday afternoon.
Students will receive detailed class notes to accompany the sessions, and students will be encouraged to participate in the demonstrations to gain a hands-on perspective of the lessons.
Depending on the demand for this short course, a second one may be run concurrently. If demand is very high, one or two more courses may be run following the first one or two.
I would very much like to know if you are interested in participating in this course. I am looking at the possibility of offering off-camera lighting kits at special prices if I can find an interested retailer. Do you have any other ideas that would make this course even more valuable to particpants?
I hope to see you there!
Photograhers: Tips to Get Better Photos at Conventions
- At September 20, 2008
- By Neil Creek
- In Tutorial
6
Following on from my post yesterday with suggestions for cosplayers for posing for photographs, here’s a revived post from the archives with a two part video of tips and suggestions for photographers shooting conventions and costume events. It goes in to great depth and detail on how to photograph cosplayers and costumers at conventions and similar events.
Please enjoy, and share with your photography friends who might be attending conventions anytime soon!
Cosplayers: How to Help Photographers Get the Best Pics of You
- At September 18, 2008
- By Neil Creek
- In Tutorial
1
The Melbourne Anime Festival is just around the corner, and all around the world there are conventions throughout the year. As a photographer, I love cosplayers. The outfits are interesting to look at, the people are usually outgoing and happy to be photographed, and at conventions, there are so many photo opportunities. Cosplay competitions are especially great, as you get a parade of fantastic costumes to photograph, all standing in the same spot!
If you are a cosplayer, you’ve put a lot of work into your outfit, and you’ll want to have great photos of them. I’ve compiled a list of tips and suggestions for you to follow if you want to help photographers get the best possible photos of your work. Some of these tips apply specifically to the cosplay competition, but many are helpful wherever you are in your costume.
Tips for Cosplayers
- Dress to Impress – Colourful and intricate costumes will make me go “wow” every time. The huge Soul Calibur group at Manifest last year took my breath away! The stage was glittering and shining with lots of colour and movement. I couldn’t shoot fast enough!
- Bland is Bad – On the other hand, simple or bland costumes are far less fun to look at. I’m not a fan of Bleach cosplays simply because they all look so simple and similar. If I’d seen Bleach I’m sure I’d enjoy it more, but from a costume perspective only, I find them bland.
- Get Expressive – If the character you love does has a simple outfit, you can compensate for that by being very expressive with your movements. Think theatrically. Exaggerate your movements and expressions. Go for physical comedy if it suits your character. Even the simplest ‘anime school girl’ costume will be memorable and photogenic if you know how to pose.
- Know How to Pose – There are few things more frustrating than when a cosplayer has made a gorgeous costume, but doesn’t show it off enough. Some first time cosplayers are so timid, it seems like they can’t get off stage fast enough. Others strike a pose, and hold it rock steady for the whole time they’re on stage. If you happen to be standing side-on to me, I can’t get a good photo of your costume unless you move! Please have at least two, preferably three different poses, and change your angle so we can see the hard work you put into your costume.
- Hold It – On the topic of poses, when you strike one, please hold it for at least three to five seconds. Some poses are great, but if you only stay like that for less than a second, it’s very easy to miss getting that shot.
- On Your Mark – Please try to stay near to the mark on the stage. I understand you need to move around for your skit, and that’s fine, but if half the action occurs behind the speaker or podium, I’m not gonna get any photos of that.
- Go Wireless – For the last couple of years at Manifest there has been a wireless mic available. That makes me very happy, because a mic cord, or worse, mic stand, can ruin an otherwise great photo. If you are offered the wireless mic, please take it.
- Lose the Mic – Regarding mic use, if you need it for your skit, please pass it back before you do your poses. A mic in shot isn’t as nice as one without the mic.
- Pose After a Skit – IF you have time after your skit, please take a few seconds to take a few poses for us. Skits often move so fast it’s impossible to get a clear photo. Allowing us the time to get those photos will make us very happy, and probably make it easier for the judges to see your work, thus improving your chances of getting a good score.
These tips are obviously from my personal perspective, but many many people watching the cosplay comp are taking photos, and all photographers will appreciate it. I’m sure that you also want to have good photos of yourself in the competition as well, so helping photographers out also helps you to get the best photos possible.
I’ll follow up this post with another one with tips for photographers, revived from the archives.
My Two Mums
- At June 10, 2008
- By Neil Creek
- In People
0
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Sorry about the lack of posts lately, been very busy and now I’m coming down with a cold :( I’ll do my very best to get the results for the 3D For Everyone project posted tomorrow, and the new photo project posted the day after that.
Naomi’s mum is staying with us while visiting from Queensland after attending her daughter’s wedding last weekend. While down here we payed a visit to my mum with Trish for dinner. After dinner, the two of them allowed me to take their photo. My mum (Betty) is on the left.
The lighting for this shot was specifically chosen to allow me to participate in the current assignment in Lighting 102 on Strobist.com. The idea is to gel at least one flash orange (to correct for ambient tungsten light), while the ambient or a second (or more) flash is illuminating with daylight white balance. The purpose is to explore the use of a correcting colour gel for creative purposes instead, and develop a nice warm/cool colour contrast. The bare flash to the right was un-gelled. The strobist details are below:
- Canon 580EX @1/4 geled with CTO, through white umbrella, camera high front left.
- Vivitar 285HV @ 1/4 bare, camera right.
- Camera set to tungsten white balance.
If you have some off-camera lighting gear, why not participate in the assignment yourself? Here are the results so far. I’d love to see your work if you participate, so send a link to your assignment photo in the comments below! Even if you find this page once the assignment has finished, I’d love to see your CTO/tungsten balance photo.
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