Photos From Costume / Fashion Photoshoot
- At July 07, 2009
- By Neil Creek
- In Cosplay
6
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The costume and fashion photoshoot at Melbourne Museum was a huge success!
Approximately 24 people attended, a third each of photographers, models and onlookers/friends. The weather was overall very good, despite being four seasons in one day.
The location was terrific as well, and we took advantage of many different spots in the area.
We did learn however, that to shoot anywhere inside the Museum’s doors, even in an isolated open-air courtyard, requires permission and payment. We were advised of this and asked to leave by very friendly and understanding security staff. Something to note for the future.
Photos, and some additional thoughts mixed in with them, plus a link to the full gallery of the shoot below:
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This shoot was the first time I got to play with some new equipment I have just purchased: a set of AlienBees CyberSync flash triggers. These let me fire my flashes remotely and with almost 100% reliability, which is a far cry from the poor reliability of the cheap triggers I have been using up until now. For the photo above I put them to use and fired a flash from behind and each side of Scarlet to give her a cool “rock” type lighting.
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It was great to briefly catch up with Rebecca, whom I hadn’t seen in years. The last time, in fact, was when I did a photo shoot with her in costume. This time she was on the other side of the lens. It’s as a photographer, rather than cosplayer, that she has been more active lately, and she is very talented at both. It was Rebecca’s photo blog that inspired me to start this blog, and I can credit a lot of my success as a phtographer to that initial impetus.
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Siera (above) and Annie (below) are two of my favourite cosplayers and good friends. I haven’t seen Siera up close in quite a while, and have been forced to photograph her from afar or through a mask. Annie, on the other hand, is fast becoming my most photographed cosplayer, having done a number of recent shoots. Once again, they are gorgeous here in their elegant gothic lolita outfits.
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One of my new favourite cosplayers is Mii, seen here above and at the very top, cosplaying characters from The Melancholy of Haruhi Suzumiya. I want to thank Mii for her help with the processing on these photos. She is a big fan of cosplay idols in Japan, cosplayers who have become so popular and successful at their craft, that they have gained a level of celebrity. One idol in particular is Kipi.
Mii loves the way Kipi’s photos look, and encouraged me to try processing this shoot that way. At first I thought the look was a bit too bright and artificial, but the more I look at it and try it, the more I like it. It’s kind of a “fashion magazine” look. I processed most of the shots in this shoot that way, and I like how they came out. I’ll try to write a tutorial for a future post. So thanks Mii! If you think Mii’s as cute as I do, make sure you check out her new youtube channel: http://www.youtube.com/user/miicosplay
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In conclusion it was a very fun day! It was great to see so many people come along to the event I organised, especially the photographers, most of whom I hadn’t met before. If you attended the meet, as a photographer or cosplayer, please leave a comment below! Photographers, please share the link to your gallery of photos from the shoot, so the cosplayers can all see how their photos turned out :)
It would be great if we could do this again sometime soon!
Here’s my full gallery of 184 photos and two videos from the shoot.
Other Photographrs’ Galleries
Cosplayers: How to Help Photographers Get the Best Pics of You
- At September 18, 2008
- By Neil Creek
- In Tutorial
1
The Melbourne Anime Festival is just around the corner, and all around the world there are conventions throughout the year. As a photographer, I love cosplayers. The outfits are interesting to look at, the people are usually outgoing and happy to be photographed, and at conventions, there are so many photo opportunities. Cosplay competitions are especially great, as you get a parade of fantastic costumes to photograph, all standing in the same spot!
If you are a cosplayer, you’ve put a lot of work into your outfit, and you’ll want to have great photos of them. I’ve compiled a list of tips and suggestions for you to follow if you want to help photographers get the best possible photos of your work. Some of these tips apply specifically to the cosplay competition, but many are helpful wherever you are in your costume.
Tips for Cosplayers
- Dress to Impress – Colourful and intricate costumes will make me go “wow” every time. The huge Soul Calibur group at Manifest last year took my breath away! The stage was glittering and shining with lots of colour and movement. I couldn’t shoot fast enough!
- Bland is Bad – On the other hand, simple or bland costumes are far less fun to look at. I’m not a fan of Bleach cosplays simply because they all look so simple and similar. If I’d seen Bleach I’m sure I’d enjoy it more, but from a costume perspective only, I find them bland.
- Get Expressive – If the character you love does has a simple outfit, you can compensate for that by being very expressive with your movements. Think theatrically. Exaggerate your movements and expressions. Go for physical comedy if it suits your character. Even the simplest ‘anime school girl’ costume will be memorable and photogenic if you know how to pose.
- Know How to Pose – There are few things more frustrating than when a cosplayer has made a gorgeous costume, but doesn’t show it off enough. Some first time cosplayers are so timid, it seems like they can’t get off stage fast enough. Others strike a pose, and hold it rock steady for the whole time they’re on stage. If you happen to be standing side-on to me, I can’t get a good photo of your costume unless you move! Please have at least two, preferably three different poses, and change your angle so we can see the hard work you put into your costume.
- Hold It – On the topic of poses, when you strike one, please hold it for at least three to five seconds. Some poses are great, but if you only stay like that for less than a second, it’s very easy to miss getting that shot.
- On Your Mark – Please try to stay near to the mark on the stage. I understand you need to move around for your skit, and that’s fine, but if half the action occurs behind the speaker or podium, I’m not gonna get any photos of that.
- Go Wireless – For the last couple of years at Manifest there has been a wireless mic available. That makes me very happy, because a mic cord, or worse, mic stand, can ruin an otherwise great photo. If you are offered the wireless mic, please take it.
- Lose the Mic – Regarding mic use, if you need it for your skit, please pass it back before you do your poses. A mic in shot isn’t as nice as one without the mic.
- Pose After a Skit – IF you have time after your skit, please take a few seconds to take a few poses for us. Skits often move so fast it’s impossible to get a clear photo. Allowing us the time to get those photos will make us very happy, and probably make it easier for the judges to see your work, thus improving your chances of getting a good score.
These tips are obviously from my personal perspective, but many many people watching the cosplay comp are taking photos, and all photographers will appreciate it. I’m sure that you also want to have good photos of yourself in the competition as well, so helping photographers out also helps you to get the best photos possible.
I’ll follow up this post with another one with tips for photographers, revived from the archives.
3D Bunny Girl – Framed!
- At May 12, 2008
- By Neil Creek
- In 3D
3
We were visiting Mum’s today for mother’s day, and when I saw the large, ornate mirror and frame that hangs in the entrance, I had an idea. Why not use a real, 3D frame for 3D photos instead of a simple black border? So I used the Loreo lens to take a 3D photo of the mirror (the cha-cha method would have worked fine), and with a bit of Photoshop magic, inserted the photo of Rebekah in cosplay within it.
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I deliberately positioned Rebekah in 3D space to appear within the frame, but reaching through it. The frame itself doesn’t look as 3D as I’d like, but that’s limited by the stereo base of the Loreo lens. Next time I visit mum I’ll shoot the frame again, but this time with the cha-cha method so I can widen the stereo base for a more exaggerated 3D effect.
Does this photo give you any new ideas for your submission to the 3D For Everyone project? :)
(parallel version to come soon)
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