Manifest Studio Shoot – Setup and Lighting
- At November 06, 2008
- By Neil Creek
- In Tutorial
9
A few weeks ago, I was at the Melbourne Anime Festival (Manifest) photographing in an on-site studio in a professional capacity. This was the first time I had ever covered an event in this way, and it was a first for Manifest as well, having an officially endorsed photographer shooting for the attendees.
I thought that it might be useful for readers of the blog for me to describe my experience at Manifest, how it worked and what I learned.
First some photos and a description of the setup.
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The gear used in the setup is listed below, including what I paid for it all, in case you’re interested to know what it would cost you to build a similar setup.
- 3x Vivitar 285HV ($90usd ea)
- 1x Canon 580EX (could be substituted by another Viv) ($400usd)
- Large white drop sheet and stand ($100usd)
- 2x diffuser umbrellas (either kind would work) ($30usd ea)
- 4x stands ($30usd ea)
- 1x transmitter and 4x receivers – Cactus radio flash triggers (total about $100usd)
Shipping for all that to Australia would be about another $150usd, so the total price (if you used 4x Vivitars) is about $890usd or so. I’m not even gonna bother converting to AUD cos the dollar is so volatile at the moment.
Here’s a lighting diagram for the setup I used on Saturday. I had the Canon 580EX and a Vivitar 285HV on stands with umbrellas at 45 degrees to the model, left and right. I had a Vivitar on a high stand back left as a kicker (highlight on the hair and side of the face), and with another Vivitar behind the white cotton background to illuminate it.
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And a slightly modified setup I used on the Sunday. I hated how visible the background was in photos from Saturday, so I sacrificed the kicker and put two Vivitars directly on the backdrop, which did a much better job of giving an even white background. Next time I’ll try to get a 5th flash to put back in as a kicker.
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These setup basically flooded the area with light, nice and soft. There wasn’t a big difference between the key and fill lights. I was shooting at about 1/4 power max on mostly AAs, and I went all day, only needing to change batteries on one flash. The recycle time on this was about one second, so it was nice fast shooting.
Here’s an example of a typical photo on Saturday and Sunday.
The Manifest 2008 galleries, can be seen in total here: http://neil.creek.name/gallery/v/manifest.
Here’s some photos of me at work taken by my friend Colin, who was my sales assistant on the day.
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In a later post I’ll talk more about the business side of the shoot, and how we went about booking the shoots, what we charged, and how we promoted the studio.

3D batteries – P365 Mar19
- At May 06, 2008
- By Neil Creek
- In 3D
1
I have a lot of batteries, and I spent most of the afternoon charging them.
Learn how to see 3D photos like this.
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Most of them are used in the two flashes I have, I keep 4 sets of 4 in the camera bag (two for use, two for backup). The rest of the batteries go in devices around the house, including TV remotes, Wii controllers and such.
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