18 Bite-Size Photo Tips From My Twitter – 31DBBB
- At April 09, 2009
- By Neil Creek
- In Tutorial
7
Every now and then, when I think of a quick photography tip, I’ll post it to my Twitter stream. As part of the Problogger 31 Days to Build a Better Blog Challenge, day two calls for participants to make a list post. I thought this would be an ideal subject for the post. So here you go, 18 bite-size photo tips:
- Wearing a white tshirt outside can be a handy fill card, to light your subjects front.
4:29 PM Dec 23rd, 2008 - Timing is critical. Practice your timing by photographing sports or people on TV. Catch interesting moments.
10:20 AM Jan 4th - A tip re dog/cat #photog: Fisheye lens, camera on monopod, held upside down (camera near ground) remote trigger= http://is.gd/eyCf
10:25 AM Jan 5th - Tip re changing light in timelapse. Set to manual, use natural light if you can, if artificial set exp to <60th/sec
2:23 PM Jan 5th - If you’re a #photog and haven’t seen “The Genius of Photography” you’re missing out. Watch it here http://is.gd/fNrb
1:57 PM Jan 14th - When buying a tripod resist the urge to get the lightest. Sturdiness is key, light=flimsy.
11:38 AM Jan 27th - When shooting macro, focus is tough. Rough focus, then use yr body to move back/forth while looking thru viewfinder & shooting.
1:15 PM Jan 27th - On very hot days like today, don’t leave camera gear in car or outside. The glue on rubber feet and grip rings can loosen.
9:52 PM Jan 29th - #tip for daylight lightning #photog Stop WAY down to lengthen exp time &increase chances. Use ND or polarizer for same reason. Keep shooting
1:15 PM Jan 30th - If you need to use a tripod, you probably should use a cable release or the self timer to minimise potential shake.
1:12 PM Feb 5th - If stability is critical, eg for astrophotography, do not extend tripod post or legs. Shorter=stiffer=less shake.
1:15 PM Feb 5th - Improve stiffness @ slow shutter by twisting camera slightly, like wringing a cloth. Makes grip firmer w/o shakes
12:49 AM Feb 20th - When shooting handheld with slow shutter, shoot several frames in a burst. It dramatically increases the odds of a still shot
11:54 AM Mar 25th - If you are one of two or more photogs at a wedding, work out who will be a “lead” to direct the action, or no one will.
1:10 PM Apr 8th - A couple may request photos b4 ceremony. This is challenging cos the mood isn’t same. Push them to interact. Avoid if poss.
1:12 PM Apr 8th - If friends are hanging round, get them in the photos or leave. Time chatting takes from photos, and eyelines from camera.
1:14 PM Apr 8th - Take charge of a wedding shoot. Don’t just wander around and shoot. Suggest ideas, ask for poses. Aimless session=lame shots.
1:17 PM Apr 8th - Pocket Wizards (or reliable flash radio remotes) are AWESOME. High reliability wireless flash shooting was a revelation for me.
1:19 PM Apr 8th
I’ll continue to offer such tips via twitter as I think of them, so be sure to follow me there. Every few months I’ll collate the new ones and post them again as a blog post.
Wedding Shoot AKA I Fell in Love With a Full-Frame
- At December 09, 2008
- By Neil Creek
- In People
12
I shot a wedding on the weekend, and boy was it the most challenging wedding shoot yet, but I’m not going to talk about that. I’m gonna share a few of my favourite photos and wax lyrical about how awesome it was to shoot with a full-frame sensor camera.
I take this wedding photography business seriously, and I’m really enjoying it these days, despite the elevated stress levels. Something I did this time to lower the stress was to borrow a friend’s 5D so that I had two cameras to shoot with, in case one died. I can tell you now, it was love at first click.
By the way, if you like these photos, live near Melbourne, Australia, and have a wedding coming up, I’m available for wedding bookings! You can read more on my site here: http://neil.creek.name/weddings (Excuse the plug ;) )
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I love shooting with my 50mm f1.8 lens. If you don’t have one of these, you’ve got to get one. It’s tack-sharp, great in low light, and perfect for portraits with silky smooth bokeh. On my 350D, which has a 1.6x crop factor, however, it can be a problem with field of view. To fit a subject in nicely, I have to take a few steps back, which isn’t always an option. On the full frame sensor of the 5D however, the 50mm feels just right. The image above was taken in the bride’s back yard before heading off to the ceremony. I stood on a garden chair for the flattering high angle, and the composition just worked, without having to move the chair back too far.
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I love the photo above, and I feel I’ve succeeded in taking a type of photo I’ve not mastered yet: photo journalistic. Still shooting with the 50mm in the very dull, naturally lit living room, I was able to capture some natural candid moments before we left. A full-frame sensor enhances the effect and appearance of a shallow depth of field. I was shooting here at f1.8, resulting in a narrow depth of field, which allowed me to minimise the background clutter, and include the element of the girl in the background without drawing attention away from the bride.
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I don’t know if it’s a feature of full frame cameras in general, or the 5D in particular, but the light sensitivity seemed to me to be one to two stops greater than my 350D. Seen above, the bride is standing well back from a tree-shaded window on an overcast day. It was positively dim in the room, yet I was still able to capture a perfectly acceptable image at 1/100sec, f5.6 ISO400! The image was somewhat noisy in processing, but not offensively so, and which was handily dealt with by Lightroom.
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Due to the poor weather, the ceremony was held indoors, and our post-ceremony images were drastically limited, but despite these problems, I was able to salvage some decent images.
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The extra-wide field of view afforded by a full-frame sensor was an absolute joy. I’m a lover of wide angle photography, and never have I been able to get as wide as this with my Tamron 24-135 on my 350D. After the rains had eased, we were treated to some spectacular skies. As soon as I saw it I knew I had to get out the flash and add some strobist juice. The groom’s sister was my cheerful and helpful assistant, holding the flash.
Lighting info:
Canon 5D
1/100sec @ f/20, ISO100
Tamron 24-135mm @ 24mm
Canon 580EX @ 1/4 power
This photo ended up being my favourite for the day, and I knew it was so as soon as I saw it on the back of the camera.
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I mentioned it earlier, but the low-light performance of the 5D, coupled with the 50mm f1.8 allowed me to capture images that just wouldn’t have been possible with the 350D. Not only was the chip giving me greater sensitivity, the expanded ISO to 3200 increased my shooting range, and the trade-off was sensor noise, which in my opinion was less offensive in quality than that on the 350D.
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Even my favourite lens, the Sigma 8mm f4 fisheye was supercharged by the 5D. No longer was I shooting a cropped circle, but a full 360 by 180 degree hemisphere of the world. The spherical image may not be to everyone’s taste, but with the higher resolution sensor on the 5D, you still have plenty of room to crop. If you do crop down, you’ll probably end up with a similar resolution to what I get on the 350D. However, if you want to get the full 360 degree circle with an 8mm lens, only a full-frame sensor will do.
With my appetite whet to the luxury of full frame DSLRs, I cannot wait to get my hands on a 5D MkII. I suspect everything I loved about the 5D will be there, but better :) I’m giggling like a schoolgirl at the thought of it!
Photography 101.4 – Exposure and Stops
- At June 05, 2008
- By Neil Creek
- In Offsite post
3
Today, the fourth lesson in my Photography 101 series on Digital Photography School finally went live! Due to the turmoil that our lives were thrown into due to Naomi’s injury, it’s been difficult to find the time to put aside to do the full research, illustrating and writing needed for the Photo101 posts. As such it’s been a couple of months since lesson 3.
I hope the wait has been worth it. This lesson, I introduce exposure and the concept of the exposure triangle. Not only is this the first lesson with more practical aspects to it, but it is also very useful, discussing skills that will truly help you to start becoming a more effective photographer.
You can read Lesson 4: Exposure and Stops here.
If you’re new to the series, this is what we’ve covered so far:
Introduction
Introducing Photography 101
Lesson 1
Light and the Pinhole Camera
Lesson 2
Lenses and Focus
Lesson 3
Lenses, Light and Magnification
Thanks to Darren Rowse of DPS for hosting this ongoing series.
My top ten photos for 2007
- At January 05, 2008
- By Neil Creek
- In Feature, Top Posts
18
2007 was a huge year for me photographically. I started Project 365, started making friends in the photography blog community, dramatically expanded my skills by reading the Strobist blog, and started feeling a whole lot more comfortable taking photos. This year was something of a turning point I feel, where I went from a photographer with everything to learn, to one with so many possibilities. It was also a very important year for setting up the groundwork for 2008, even though I didn’t know what was coming, but which now looks like it will be another turning point year.
As a retrospective of the year in photography, I’ve chosen my ten favourite photos for the year and listed them below, in chronological order, with a little discussion about each photo. I’ve chosen pictures that I feel were important for various reasons, such as what I learned in the process, how they made me feel and which made me most proud.
I hope you will enjoy them as much as I did taking them. Remember, you can click on any image for a larger view.
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Comet McWOW – 22nd January
Seeing this once-in-a-lifetime astronomical spectacular was incredibly moving and awe-inspiring. I had to express my emotions at the scene, and my mobile phone was handy… I was very happy with how my photos of the comet turned out. If you’d like to see a “real” astrophotographer’s photos of the comet, allow me to recommend to you my exceptionally gifted friend Phil Hart.
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Sunset on Lakes Entrance – 18th February
If I was to pick one photo of these ten as my favourite, it would be this. This sunset was truly one of the most magnificent I’ve ever seen. Everyone in the town stopped to watch the spectacle and I shot many dozens of photos, trying to capture the glorious warm golden light that flooded the river. This is also my most successful attempt at a High Dynamic Range photo. I took three exposures at different settings to try and capture a broader range of detail in the highlights and shadows, and manually merged them together in photoshop.
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Boathouse at Alfred Nicholas Memorial Gardens – 14th May
Relevant blog post
This cute little hut is part of a once private garden with a lake and beautiful trees, but which is now owned by the state parks authority. Although it is much photographed, I wanted to do something a little different and take a panorama of the scene. When I saw the mushrooms on the tree, I knew I had found my shot.
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Bubbles in Water – 26th June
Relevant blog post
This photo of air bubbles rising through water is a composite of three different photos. The bubbles are illuminated by a single flash with a coloured gel on the front. Several hundred shots were culled down to these three, to make an almost abstract collection of shiny, lumpy shapes. It would be hard to identify them if you didn’t know what they were.
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Arty Anna – 21st September
Relevant blog post
Anna was kind enough to pose for me as I practiced off-camera portrait lighting. While I was setting things up I shot a number of test shots simply to check how the flash settings looked in-camera. Naomi was chatting to Anna about the light in our room, and Anna glanced up. Right at this moment I half-heartedly snapped another test shot. This “reject” shot quickly became my favourite portrait of the year because of the slightly over-exposed lighting and the quirky smile that says so much about Anna’s personality.

Purple and Yellow Flower Macro – 20th October
Relevant blog post
Colour and form alone can make a great photo. This beautiful, strange flower grows in the garden of a friend in the country. When we visited, I spent a couple of hours taking photos, and this macro shot was my favourite.
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Fossil Shrimp – 25th November
Relevant blog post
I am especially proud of this photo, as it combines a number of specialist techniques and was very tricky to take. You can read more of the details in the linked blog entry. Beyond all the technical aspects of this photo, however, I think it’s simply a beautiful photo of an incredible slice of natural history. This shot was also very good for my blog as it was featured in a post on the Strobist blog, and attracted a great number of visitors here.
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Galaxy Rising – 4th December
Relevant blog post
I love astronomy, and taking great photos of the stars is always a challenge I enjoy. I especially like this one, because it gives you a context. With the house in the foreground, you can see exactly that this is a view of the sky from this location. The galaxy looks beautiful as it makes its way up the sky, over the house.
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A gentleman finds a doll – 10th December
Relevant blog post
I’m proud of this one because it was part of my first on-location shoot lit primarily by flash. I managed to successfully apply many of the principles and techniques I have recently learned from the Strobist blog. And I’m happy with the end result, as were the models, for whom I did the shoot.
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Colourful Ricordia Coral – 11th December
Relevant blog post
This photo is a lesson in processing. These fluffy soft corals look brownish to the eye, but when I was processing this macro photo in lightroom, I bumped the saturation a little and saw the hint of some colour in there. So I kept moving the slider further and further up the scale and these gorgeous colours appeared. Technically this photo isn’t a realistic representation of the coral, but it is beautiful, and those colours are actually in there, just very very subtle.
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